Of multiform genius and gentle appearance: in this couplet lies the nature and being of Micaela Grasso. A young woman who knows how to combine the rationality of scientific research applied to psychology with the graceful madness of theatre, of theatre dedicated to children. A world full of fantasy and magic, populated by wizards, fairies, elves and gnomes. To communicate the first elements of knowledge to children without them experiencing it as tedium and pain. And of inventiveness one has to be rich to meet eyes that can see when ‘the king is naked’, but nevertheless love to be enchanted: this is the graceful madness that embellishes the glittering coldness of science, even when it is ignited in the still mysterious world of the human psyche. This is what Micaela nostra applies herself to with the commitment of the scholar, with the flicker of different divinity that only art can bestow.

